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TypeTroubles, a book of typographical adventures. (first printed test).
Printed in Venice, Italy.
Designed with Dafne Pagura. Text set in Club House, designed by M-L-XL.
23 x 15 cm
76 pages.
2017
1.
Serie of posters for Ensemble Polhymnia ,a feminine vocal band from Geneva (CH). Direction: Franck Marcon
895x1280cm
A3 and flyers
w/ Claire Peressotti
2017


2.
http://corpcorp.cc
corpcorp.cc - 3/8, temps.art.prod
A non-stop show/performance that questions the working conditions today. A project resonating at the 10th Design Biennal of Saint-Etienne, France.
Website design and developement.
With the invaluable help of Ahmed Ghazi
Event design: CORP.CORP
2017


3.
A couple, a gang, a youngster. A visual essay made with Guillaume Sbalchiero
Workshop with Sophie Demay.
400 x 270 mm
Laser and Riso printing
Cyclus 80g. 30 copies
Photos: Lucas Poisson
2016


4.
A Book gather a set of graphic experiments about signs ans typefaces in urban environment. A reflexion on ornemental and decorative terms.
210 x 297 mm
Soft silkprinted Cover
2016


5.
Acanthe is a typeface generated thanks to Prototypo.io. then designed in a font editor. Type Specimen posters made with Claire Peressotti.
700 x 250 mm
Silkprinting
Olin natural 140g.
2016


6.
In tribute to F. Picabia's Mécanomorphes. Type specimen of Pygmalion (a slab serif typeface designed by Claire Peressotti with prototypo.io).
297 x 187 mm
Risography
Olin natural 140g.
2016


7.
Florence is an editorial project based on the discovery of a postcard written by Florence, a young french teacher traveling in Florence (Italy) in 1972. The relation between texts and image tells a narrative fiction, as a travel guide, a loitering through an open air museum in the city of Florence in which the main character is victim of Stendhal's syndrom.
117 x 185 mm
laser printing
Munken print cream
2016


8.
Parlante is a journal gathering texts written by Station d'Art Poétique of ENSBA Lyon and designed by graphic design class. This hybrid and collective project is coordinated by Patrick Beurard-Valdoye, Jérome Mauche and Alex Balgiu.
Edited by t-o-m-b-o-l-o press
Available here
Contribution: 1 Poster
Text: "La Punaise et la Guêpe; l'une je l'écrase" by Thomas Malenfant.
45 x 70 cm website


9.
Mike tv is a stretched title typeface designed with Claire Peressotti.
Typeface published in Après/Avant #3, a zine about type design and edited by Les Renontres de Lure.
Graphic design: Grand Ensemble.
Font in use
by David Blanc for "Exposition P2" in Paris Malaquais.


10.
Visual for « Les Mardis de Lure », a conference cycle organised by Les Rencontres de Lure in La Générale, Paris.
Facebook banner
Backdrop for lecture
With Claire Peressotti


11.
On Internet, many homonyms causes funny or nightmarish situations; there are are seeking strong online reputation and are called "Google Twins".
The GTK (Google Twins Kingdom) is a virtual micronation, a space of exchange that allows them to come and discuss of this problem.
Visual identity, flags and website of this Google Twins Kingdom.


12.
Panini is a calligraphic typeface designed
w/Xavier Laverhne.
Specimen/poster display with two baloon of helium.


13.
Booklet/flyer for cultural season 2015-16 in Autun, Burgundy-France
Booklet and digital version.
594 x 210 cm.
Offset printing
Imprimerie Fuchey.


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Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz / 1 2 3 4 5 6 7 8 9 0 ( ) - , ; : ? !







Morris and his wife moved into Red House in 1860 and spent the next two years furnishing and decorating the interior. Morris did much of the work himself, with help from his artist friends. Prompted by the success of their efforts, they decided to start their own company. In April 1861 Morris, Marshall, Faulkner & Co. was established at 8 Red Lion Square in London. It produced a range of original domestic furnishings including embroidery, tableware and furniture, stained glass and tiles. Wallpapers were soon added to the list because Morris was unable to find any he liked well enough to use in his own home. Morris, Marshall, Faulkner & Co. profoundly influenced the decoration of churches and houses into the early 20th century. He was also a major contributor to reviving traditional textile arts and methods of production, and one of the founders of the SPAB, now a statutory element in the preservation of historic buildings in the UK.



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WILLY WONKA ORDERS HIM TO BE STRETCHED TO HIS NORMAL SIZE IN THE GUM STRETCHING MACHINE









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italian
panini





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